The White Tiger

Released 13th January 2021, The White Tiger follows Balram Halwai, a member of the Indian low caste, as he works his way out of poverty. The ideas and prejudices of class are at the forefront of this film and embedded into every character naturally; each character confronts a different angle of class thus making every character unique and intriguing. There is also a great engrossment in Indian culture throughout the film which really helps the audience to believe what they are watching; it also makes the moments of abuse and manipulation all the more appalling.

Adarsh Gourav is superb as Balram Halwai; his range is brilliant, and he sells every high and low in his particularly varied life. Rajkummar Rao is also stellar as Ashok, Balram’s easily led ‘master’, in conveying the desire to live equally to his peers whilst also succumbing to the standards set by his fellow higher caste. Priyanka Chopra provides an interesting performance as Pinky; he frequently represents the exogenous views of other nations upon India; preaching its need for reform to aid its lower caste whilst she herself often juxtaposes herself. Kamlesh Gill as Granny and Mahesh Manjrekar as The Stork act as effective antagonists to Balram rising above the lower caste.

Danny Bensi and Saunder Jurriaans manage to craft a memorable soundtrack that isn’t cliché Bollywood whilst still retaining India-based sound scaping. The cinematography manages to illustrate Balram’s scale in his social standings throughout the film; from wide-scaping shots with him in a field to an elevating shot presenting him above the lower caste. Overall, this film has consistent ideas, consistent acting and a satisfying story where the audience are constantly engaged.